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Blackness in opera (Record no. 48353)

MARC details
000 -LEADER
fixed length control field 02436nam a2200361 a 4500
082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 782.1089/96
245 00 - TITLE STATEMENT
Title Blackness in opera
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT)
Place of publication Urbana :
Name of publisher University of Illinois Press,
Year of publication 2013.
300 ## - PHYSICAL DESCRIPTION
Number of Pages xii, 289 p. :
Other physical details ill., music, ports.
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note Introduction: representing blackness on the operatic stage -- From Otello to Porgy: blackness, masculinity, and morality in opera / Naomi Andr�e -- Hearing the other in The masque of blackness / Sarah Schmalenberger -- Nationalism, racial difference, and "Egyptian" meaning in Verdi's Aida / Christopher R. Gauthier and Jennifer McFarlane-Harris -- Race, "realism," and fate in Frederick Delius's Koanga / Eric Saylor -- Political currents and black culture in Scott Joplin's Treemonisha / Ann Sears -- Clarence Cameron White's Ouanga! in the world of the Harlem Renaissance / Karen M. Bryan -- New paradigms in William Grant Still's Blue steel / Gayle Murchison -- Performers in Catfish Row: Porgy and Bess as collaboration / Gwynne Kuhner Brown -- Searching for "authenticity" in Paul Bowles's Denmark Vesey / Melissa J. de Graaf -- The politics of color in Oscar Hammerstein's Carmen Jones / Melinda Boyd -- Performing race in Ernst Krenek's Jonny spielt auf / Jonathan O. Wipplinger -- Il rodolfo nero, or the masque of blackness / George Shirley.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical Term Blacks in opera.
Topical Term Opera.
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Andr�e, Naomi Adele.
Personal name Bryan, Karen M.
Personal name Saylor, Eric.
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier http://site.ebrary.com/lib/rucke/Doc?id=10639731

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