Experimental Latin American cinema (Record no. 77426)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 02789nam a2200337 a 4500 |
| 082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 791.43098 |
| 100 1# - MAIN ENTRY--AUTHOR NAME | |
| Personal name | Tompkins, Cynthia, |
| 245 10 - TITLE STATEMENT | |
| Title | Experimental Latin American cinema |
| 250 ## - EDITION STATEMENT | |
| Edition statement | 1st ed. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Place of publication | Austin : |
| Name of publisher | University of Texas Press, |
| Year of publication | 2013. |
| 300 ## - PHYSICAL DESCRIPTION | |
| Number of Pages | x, 294 p. : |
| Other physical details | ill. |
| 505 0# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Introduction: mise-en-scene, a seemingly international staging -- A neonoir skew to the action-image. A shimmering suture: Fabi�an Bielinsky's epileptic El aura -- Slippery criminal pleasures: intermediality and voyeurism in Jorge Furtado's O homem que copiava -- Endless quest: chasing sex, lies, and money at the gates of hell in Heitor Dhalia's O cheiro do ralo -- Road movies. The paradoxical effect of the documentary: Walter Salles's Central do Brasil -- Twin piques: the double discourse of Carlos Sor�in's El camino de San Diego -- Orphans' solidarity: Mar�ia Victoria Menis's El cielito -- Drama. Sculpting time: In�es de Oliveira C�ezar's Como pasan las horas -- The past engulfs the present: Josue Mendez's D�ias de Santiago -- Experimental auteurism. Whether or not to end one's life: Carlos Reygadas's Jap�on -- Crime and self-inflicted punishment: Carlos Reygadas's Batalla en El cielo -- Experimental auteurism and intertextuality. The miracle of female bonding in patriarchal society: Carlos Reygadas's Stellet licht (2008) -- Cyclical scapegoating: In�es de Oliveira C�ezar's Extranjera -- The irrevocable nature of curses: In�es de Oliveira C�ezar's El recuento de Los Da�nos -- Splintered mirrors, echoes, and reverberations: Fernando P�erez Vald�es's Madrigal -- Experimental pseudo-documentary. Room with a view: Fernando P�erez Vald�es's Suite Habana -- Life is and is not: Paz Encina's Hamaca Paraguaya -- Conclusion: possible futures. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical Term | Experimental films |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | http://site.ebrary.com/lib/rucke/Doc?id=10656988 |
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