01419nam a2200349 a 4500001001200000003000800012006001900020007001500039008004100054010001700095020004100112020001800153020002700171040002100198035002100219050003000240082002000270100002900290245010400319260003500423300001700458490006900475504004100544533015200585600005200737650004200789650003900831655002900870710001700899830002700916856012600943ebr10587948CaPaEBRm        u        cr cn|||||||||120301s2012    nyu     sb    000 0 eng d  z  2012007139  z9781433119323 (hardcover alk. paper)  z9781433117961  z9781453908860 (e-book)  aCaPaEBRcCaPaEBR  a(OCoLC)80991093314aPN1998.3.L438bC43 2012eb04a791.43/65522231 aChiang, Chih-Yun,d1980-10aTheorizing ambivalence in Ang Lee's transnational cinemah[electronic resource] /cChih-Yun Chiang.  aNew York :bPeter Lang,c2012.  aviii, 132 p.1 aFraming film: the history and art of cinema,x1524-7821 ;vv. 17  aIncludes bibliographical references.  aElectronic reproduction.bPalo Alto, Calif. :cebrary,d2011.nAvailable via World Wide Web.nAccess may be limited to ebrary affiliated libraries.10aLee, Ang,d1954-xCriticism and interpretation. 0aMotion pictures and transnationalism. 0aMotion pictures and globalization. 7aElectronic books.2local2 aebrary, Inc. 0aFraming film ;vv. 17.40uhttp://site.ebrary.com/lib/rucke/Doc?id=10587948zAn electronic book accessible through the World Wide Web; click to view