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  <titleInfo>
    <title>Blossoms and blood</title>
    <subTitle>postmodern media culture and the films of Paul Thomas Anderson</subTitle>
  </titleInfo>
  <name type="personal">
    <namePart>Sperb, Jason</namePart>
    <namePart type="date">1978-</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <typeOfResource>text</typeOfResource>
  <genre authority="marc">bibliography</genre>
  <genre authority="">Electronic books.</genre>
  <originInfo>
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    <dateIssued encoding="marc">2013</dateIssued>
    <copyrightDate encoding="marc">2013</copyrightDate>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <extent>1 online resource (297 pages)</extent>
  </physicalDescription>
  <tableOfContents>Machine generated contents note: Acknowledgments -- Introduction. White-Noise Media Culture and the Films of Paul Thomas Anderson -- Chapter 1. I Remembered Your Face: Indie Cinema, Neo-noir, and -- Narrative Ambiguity in Hard Eight (1996) -- Chapter 2. I Dreamed I Was in a Hollywood Movie: Stars, Hyperreal Sounds of the 1970s, and Cinephiliac Pastiche in Boogie Nights (1997) -- Chapter 3. If That Was in a Movie, I Wouldn't Believe It: Melodramatic Ambivalence, Hypermasculinity, and the Autobiographical Impulse in Magnolia (1999) -- Chapter 4. The Art-House Adam Sandler Movie: Commodity Culture and the Ethereal Ephemerality of Punch-Drunk Love (2002) -- Chapter 5. I Have a Competition in Me: Political Allegory, Artistic Collaboration, and Narratives of Perfection in There Will Be Blood (2007) -- Afterword. On The Master -- Notes -- Select Bibliography -- Index.</tableOfContents>
  <note type="statement of responsibility">Jason Sperb.</note>
  <note>Includes bibliographical references and index.</note>
  <subject authority="lcsh">
    <name type="personal">
      <namePart>Anderson, Paul Thomas</namePart>
    </name>
    <topic>Criticism and interpretation</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Motion picture producers and directors</topic>
  </subject>
  <classification authority="lcc">PN1998.3.A5255 S64 2013eb</classification>
  <classification authority="ddc" edition="23">791.4302/33092</classification>
  <identifier type="isbn">9780292752917 (e-book)</identifier>
  <identifier type="isbn" invalid="yes"/>
  <identifier type="uri">http://site.ebrary.com/lib/rucke/Doc?id=10768931</identifier>
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