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  <titleInfo>
    <title>Dying swans and madmen</title>
    <subTitle>ballet, the body, and narrative cinema</subTitle>
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  <name type="personal">
    <namePart>McLean, Adrienne L.</namePart>
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    <namePart>ebrary, Inc</namePart>
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    <place>
      <placeTerm type="text">New Brunswick, N.J</placeTerm>
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    <publisher>Rutgers University Press</publisher>
    <dateIssued>c2008</dateIssued>
    <dateIssued encoding="marc">2008</dateIssued>
    <issuance>monographic</issuance>
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  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
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  <physicalDescription>
    <form authority="marcform">electronic</form>
    <form authority="gmd">electronic resource</form>
    <extent>xi, 304 p. : ill.</extent>
  </physicalDescription>
  <tableOfContents>Introduction : ballet in tin cans -- A channel for progress : theatrical dance, popular culture, and (the) American Ballet -- Gender, genre, and the ballet film through 1947 : part 1, the life of a ballerina is indeed tough -- Gender, genre, and the ballet film through 1947 : part 2, the man was mad--but a genius! -- If you can disregard the plot : the red shoes in an American context -- The second act will be quite different : cinema, culture, and ballet in the 1950s -- Turning points : -- Ballet and its bodies in the "post-studio" era.</tableOfContents>
  <note type="statement of responsibility">Adrienne L. McLean.</note>
  <note>Includes bibliographical references (p. 259-290), filmography (p. 291-296), and index.</note>
  <note>Electronic reproduction. Palo Alto, Calif. : ebrary, 2013. Available via World Wide Web. Access may be limited to ebrary affiliated libraries.</note>
  <subject authority="lcsh">
    <topic>Ballet in motion pictures, television, etc</topic>
  </subject>
  <classification authority="lcc">GV1779 .M35 2008eb</classification>
  <classification authority="ddc" edition="22">792.8</classification>
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