01880nam a22003374a 4500001001200000003000800012006001900020007001500039008004100054010001700095020003600112020003500148040002100183035002000204050002500224082002300249100001900272245014200291260005600433300002300489504008700512505044700599533015201046650006301198650005801261650003401319655002901353710001701382856012601399999001701525ebr10068555CaPaEBRm        u        cr cn|||||||||040217s2004    caua    sbk  s001 0 eng    z  2004003478  z0520241843 (cloth : alk. paper)  z0520241851 (pbk. : alk. paper)  aCaPaEBRcCaPaEBR  a(OCoLC)5673335014aML200.5b.H83 2004eb04a780/.86/6409732221 aHubbs, Nadine.14aThe queer composition of America's soundh[electronic resource] :bgay modernists, American music, and national identity /cNadine Hubbs.  aBerkeley :bUniversity of California Press,cc2004.  axi, 282 p. :bill.  aIncludes bibliographical references (p. 249-263), discography (p. 265), and index.0 aModernist abstraction and the abstract art : Four Saints and the queer composition of America's sound -- Being musical : gender, sexuality, and musical identity in twentieth-century America -- Intermezzo. My dear Freddy : identity excesses and evasions chez Paul Bowles -- A French connection : modernist codes in the musical closet -- Queerness, eruption, bursting : U.S. musical modernism at midcentury -- Coda. Composing oneself (reprise).  aElectronic reproduction.bPalo Alto, Calif. :cebrary,d2013.nAvailable via World Wide Web.nAccess may be limited to ebrary affiliated libraries. 0aMusiczUnited Statesy20th centuryxHistory and criticism. 0aNational musiczUnited StatesxHistory and criticism. 0aGay composerszUnited States. 7aElectronic books.2local2 aebrary, Inc.40uhttp://site.ebrary.com/lib/rucke/Doc?id=10068555zAn electronic book accessible through the World Wide Web; click to view  c28647d28647