02053nam a22003254a 4500001001200000003000800012006001900020007001500039008004100054010001700095020001500112040002100127035002000148050002300168082001500191245008000206260006400286300002300350504009000373505079600463533015201259650004301411650004201454650002201496655002901518700002001547710001701567856012601584999001701710ebr10069911CaPaEBRm        u        cr cn|||||||||020415s2003    enka    sbk   001 0 eng    z  2002067383  z052177120X  aCaPaEBRcCaPaEBR  a(OCoLC)5720468514aMT146b.A54 2003eb04a781.6422100aAnalyzing popular musich[electronic resource] /cedited by Allan F. Moore.  aCambridge ;aNew York :bCambridge University Press,c2003.  aix, 270 p. :bill.  aIncludes bibliographical references (p. 240-257), discography (p. 258-260) and index.0 tPopular music analysis : ten apothegms and four instances /rRob Walser --tFrom lyric to anti-lyric : analyzing the words in pop song /rDai Griffiths --tThe sound is "out there" : score, sound design, and exoticism in The X-files /rRobynn J. Stilwell --tFeel the beat come down : house music as rhetoric /rStan Hawkins  --tThe determining role of performance in the articulation of meaning : the case of "Try a little tenderness" /rRob Bowman  --tMarxist music analysis without Adorno : popular music and urban geography /rAdam Krims  --tJethro Tull and the case for modernism in mass culture /rAllan F. Moore --tPangs of history in late 1970s rock /rJohn Covach --tIs anybody listening? /rChris Kennett --tTalk and text : popular music and ethnomusicology /rMartin Stokes.  aElectronic reproduction.bPalo Alto, Calif. :cebrary,d2013.nAvailable via World Wide Web.nAccess may be limited to ebrary affiliated libraries. 0aPopular musicxAnalysis, appreciation. 0aPopular musicxHistory and criticism. 0aMusical analysis. 7aElectronic books.2local1 aMoore, Allan F.2 aebrary, Inc.40uhttp://site.ebrary.com/lib/rucke/Doc?id=10069911zAn electronic book accessible through the World Wide Web; click to view  c30263d30263