01998nam a2200361 a 4500001001200000003000800012006001900020007001500039008004100054010001700095015001900112016001800131020004300149020004000192020003800232020003500270040002100305035002100326050002400347082001400371100002400385245011500409260006100524300002300585504009100608505054800699533015201247650004801399655002901447710001701476856012601493999001701619ebr10231504CaPaEBRm        u        cr cn|||||||||070614s2008    njua    sbq   001 0 eng    z  2007024986  aGBA8515882bnb7 z0145750832Uk  z9780813542799 (hardcover : alk. paper)  z0813542790 (hardcover : alk. paper)  z9780813542805 (pbk. : alk. paper)  z0813542804 (pbk. : alk. paper)  aCaPaEBRcCaPaEBR  a(OCoLC)23608181814aGV1779b.M35 2008eb04a792.82221 aMcLean, Adrienne L.10aDying swans and madmenh[electronic resource] :bballet, the body, and narrative cinema /cAdrienne L. McLean.  aNew Brunswick, N.J. :bRutgers University Press,cc2008.  axi, 304 p. :bill.  aIncludes bibliographical references (p. 259-290), filmography (p. 291-296), and index.0 aIntroduction : ballet in tin cans -- A channel for progress : theatrical dance, popular culture, and (the) American Ballet -- Gender, genre, and the ballet film through 1947 : part 1, the life of a ballerina is indeed tough -- Gender, genre, and the ballet film through 1947 : part 2, the man was mad--but a genius! -- If you can disregard the plot : the red shoes in an American context -- The second act will be quite different : cinema, culture, and ballet in the 1950s -- Turning points : -- Ballet and its bodies in the "post-studio" era.  aElectronic reproduction.bPalo Alto, Calif. :cebrary,d2013.nAvailable via World Wide Web.nAccess may be limited to ebrary affiliated libraries. 0aBallet in motion pictures, television, etc. 7aElectronic books.2local2 aebrary, Inc.40uhttp://site.ebrary.com/lib/rucke/Doc?id=10231504zAn electronic book accessible through the World Wide Web; click to view  c39765d39765