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  <titleInfo>
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    <title>queer composition of America's sound</title>
    <subTitle>gay modernists, American music, and national identity</subTitle>
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  <name type="personal">
    <namePart>Hubbs, Nadine.</namePart>
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    <namePart>ebrary, Inc</namePart>
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    <place>
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    <publisher>University of California Press</publisher>
    <dateIssued>c2004</dateIssued>
    <dateIssued encoding="marc">2004</dateIssued>
    <issuance>monographic</issuance>
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  <physicalDescription>
    <form authority="marcform">electronic</form>
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    <extent>xi, 282 p. : ill.</extent>
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  <tableOfContents>Modernist abstraction and the abstract art : Four Saints and the queer composition of America's sound -- Being musical : gender, sexuality, and musical identity in twentieth-century America -- Intermezzo. My dear Freddy : identity excesses and evasions chez Paul Bowles -- A French connection : modernist codes in the musical closet -- Queerness, eruption, bursting : U.S. musical modernism at midcentury -- Coda. Composing oneself (reprise).</tableOfContents>
  <note type="statement of responsibility">Nadine Hubbs.</note>
  <note>Includes bibliographical references (p. 249-263), discography (p. 265), and index.</note>
  <note>Electronic reproduction. Palo Alto, Calif. : ebrary, 2013. Available via World Wide Web. Access may be limited to ebrary affiliated libraries.</note>
  <subject authority="lcsh">
    <topic>Music</topic>
    <geographic>United States</geographic>
    <temporal>20th century</temporal>
    <topic>History and criticism</topic>
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  <subject authority="lcsh">
    <topic>National music</topic>
    <geographic>United States</geographic>
    <topic>History and criticism</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Gay composers</topic>
    <geographic>United States</geographic>
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