02436nam a2200361 a 4500 ebr10639731 CaPaEBR m u cr cn||||||||| 110629s2013 iluacg sb 001 0 eng d 2011027787 9780252036781 (hardcover : alk. paper) 0252036786 (hardcover : alk. paper) 9780252093890 (e-book) CaPaEBR CaPaEBR (OCoLC)833583958 ML1700 .B53 2013eb 782.1089/96 23 Blackness in opera [electronic resource] / edited by Naomi Andre, Karen M. Bryan, and Eric Saylor. Urbana : University of Illinois Press, 2013. xii, 289 p. : ill., music, ports. Includes bibliographical references and index. Introduction: representing blackness on the operatic stage -- From Otello to Porgy: blackness, masculinity, and morality in opera / Naomi Andr�e -- Hearing the other in The masque of blackness / Sarah Schmalenberger -- Nationalism, racial difference, and "Egyptian" meaning in Verdi's Aida / Christopher R. Gauthier and Jennifer McFarlane-Harris -- Race, "realism," and fate in Frederick Delius's Koanga / Eric Saylor -- Political currents and black culture in Scott Joplin's Treemonisha / Ann Sears -- Clarence Cameron White's Ouanga! in the world of the Harlem Renaissance / Karen M. Bryan -- New paradigms in William Grant Still's Blue steel / Gayle Murchison -- Performers in Catfish Row: Porgy and Bess as collaboration / Gwynne Kuhner Brown -- Searching for "authenticity" in Paul Bowles's Denmark Vesey / Melissa J. de Graaf -- The politics of color in Oscar Hammerstein's Carmen Jones / Melinda Boyd -- Performing race in Ernst Krenek's Jonny spielt auf / Jonathan O. Wipplinger -- Il rodolfo nero, or the masque of blackness / George Shirley. Electronic reproduction. Palo Alto, Calif. : ebrary, 2013. Available via World Wide Web. Access may be limited to ebrary affiliated libraries. Blacks in opera. Opera. Electronic books. local Andr�e, Naomi Adele. Bryan, Karen M. (Karen McGaha), 1954- Saylor, Eric. ebrary, Inc. http://site.ebrary.com/lib/rucke/Doc?id=10639731 An electronic book accessible through the World Wide Web; click to view 48353 48353