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  <titleInfo>
    <title>Authorship in film adaptation</title>
  </titleInfo>
  <name type="personal">
    <namePart>Boozer, Jack</namePart>
    <namePart type="date">1944-</namePart>
  </name>
  <name type="corporate">
    <namePart>ebrary, Inc</namePart>
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  <typeOfResource>text</typeOfResource>
  <genre authority="marc">bibliography</genre>
  <genre authority="local">Electronic books.</genre>
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    <place>
      <placeTerm type="code" authority="marccountry">txu</placeTerm>
    </place>
    <place>
      <placeTerm type="text">Austin</placeTerm>
    </place>
    <publisher>University of Texas Press</publisher>
    <dateIssued>2008</dateIssued>
    <edition>1st ed.</edition>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">electronic</form>
    <form authority="gmd">electronic resource</form>
    <extent>viii, 341 p. : ill.</extent>
  </physicalDescription>
  <tableOfContents>Mildred Pierce : a troublesome property to script / Albert J. Lavalley -- Hitchcock and his writers : authorship and authority in adaption / Thomas Leitch -- From Traumnovelle (1927) to script to screen : Eyes wide shut (1999) / Jack Boozer -- Private knowledge, public space : investigation and navigation in Devil in a blue dress / Mark L. Berrettini -- "Strange and new-- " : subjectivity and the ineffable in The sweet hereafter / Ernesto R. Acevedo-Mu�noz -- Adaptation as adaptation : from Susan Orlean's The orchid thief to Charlie (and "Donald") Kaufman's screenplay to Spike Jonze's film / Frank P. Tomasulo -- From obtrusive narration to crosscutting : adapting the doubleness of John Fowles's The French lieutenant's woman / R. Barton Palmer -- The three faces of Lolita, or how I learned to stop worrying and love the adaptation / Rebecca Bell-Metereau -- Traffic/Traffik : race, globalization, and family in Soderbergh's remake / Mark Gallagher -- Adapting Nick Hornby's High fidelity : process and sexual politics / Cynthia Lucia -- Adaptable Bridget : generic intertextuality and postfeminism in Bridget Jones's diary / Shelley Cobb -- "Who's your favorite Indian?" : the politics of representation in Sherman Alexie's short stories and screenplay / Elaine Roth.</tableOfContents>
  <note type="statement of responsibility">edited and with an introduction by Jack Boozer.</note>
  <note>Includes bibliographical references and index.</note>
  <note>Electronic reproduction. Palo Alto, Calif. : ebrary, 2013. Available via World Wide Web. Access may be limited to ebrary affiliated libraries.</note>
  <subject authority="lcsh">
    <topic>Film adaptations</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Motion picture authorship</topic>
  </subject>
  <classification authority="lcc">PN1997.85 .A92 2008eb</classification>
  <classification authority="ddc" edition="22">808.2/3</classification>
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