02760nam a2200325 a 4500001001200000003000800012006001900020007001500039008004100054010001700095020003900112020002700151040002100178035002100199043001200220050002800232082001800260100003000278245011200308250001200420260004800432300002200480504005100502505149500553533015202048650006202200655002902262710001702291856012602308ebr10656988CaPaEBRm        u        cr cn|||||||||120702s2013    txua    sb    001 0 eng d  z  2012024686  z9780292744158 (cloth : alk. paper)  z9780292744165 (e-book)  aCaPaEBRcCaPaEBR  a(OCoLC)827944895  acl-----14aPN1993.5.L3bT75 2013eb04a791.430982231 aTompkins, Cynthia,d1958-10aExperimental Latin American cinemah[electronic resource] :bhistory and aesthetics /cby Cynthia Tompkins.  a1st ed.  aAustin :bUniversity of Texas Press,c2013.  ax, 294 p. :bill.  aIncludes bibliographical references and index.0 aIntroduction: mise-en-scene, a seemingly international staging -- A neonoir skew to the action-image. A shimmering suture: Fabi�an Bielinsky's epileptic El aura -- Slippery criminal pleasures: intermediality and voyeurism in Jorge Furtado's O homem que copiava -- Endless quest: chasing sex, lies, and money at the gates of hell in Heitor Dhalia's O cheiro do ralo -- Road movies. The paradoxical effect of the documentary: Walter Salles's Central do Brasil -- Twin piques: the double discourse of Carlos Sor�in's El camino de San Diego -- Orphans' solidarity: Mar�ia Victoria Menis's El cielito -- Drama. Sculpting time: In�es de Oliveira C�ezar's Como pasan las horas -- The past engulfs the present: Josue Mendez's D�ias de Santiago -- Experimental auteurism. Whether or not to end one's life: Carlos Reygadas's Jap�on -- Crime and self-inflicted punishment: Carlos Reygadas's Batalla en El cielo -- Experimental auteurism and intertextuality. The miracle of female bonding in patriarchal society: Carlos Reygadas's Stellet licht (2008) -- Cyclical scapegoating: In�es de Oliveira C�ezar's Extranjera -- The irrevocable nature of curses: In�es de Oliveira C�ezar's El recuento de Los Da�nos -- Splintered mirrors, echoes, and reverberations: Fernando P�erez Vald�es's Madrigal -- Experimental pseudo-documentary. Room with a view: Fernando P�erez Vald�es's Suite Habana -- Life is and is not: Paz Encina's Hamaca Paraguaya -- Conclusion: possible futures.  aElectronic reproduction.bPalo Alto, Calif. :cebrary,d2013.nAvailable via World Wide Web.nAccess may be limited to ebrary affiliated libraries. 0aExperimental filmszLatin AmericaxHistory and criticism. 7aElectronic books.2local2 aebrary, Inc.40uhttp://site.ebrary.com/lib/rucke/Doc?id=10656988zAn electronic book accessible through the World Wide Web; click to view