02140nam a2200385Ia 4500001001200000003000800012006001900020007001500039008004100054010001700095020001500112020002800127040002100155035002100176050002600197082001800223100002200241245014000263260004300403300001600446490004400462504005100506505067400557533015201231650002601383650001901409650002001428650003401448650003801482655002901520710001701549830004501566856012601611999001701737ebr10135405CaPaEBRm u cr cn|||||||||041001s2005 nyu sb 001 0 eng d z 2004043199 z1403979448 z140396940X (alk. paper) aCaPaEBRcCaPaEBR a(OCoLC)56046042914aNX650.S92bR39 2005eb04a700/.41642221 aRay, Gene,d1963-10aTerror and the sublime in art and critical theoryh[electronic resource] :bfrom Auschwitz to Hiroshima to September 11 /cby Gene Ray. aNew York :bPalgrave Macmillan,c2005. axiv, 188 p.1 aStudies in European culture and history aIncludes bibliographical references and index.0 aIntroduction : the hit -- Ch. 1. Reading the Lisbon earthquake : Adorno, Lyotard, and the contemporary sublime -- Ch. 2. Joseph Beuys and the "after-Auschwitz" sublime -- Ch. 3. Ground Zero : Hiroshima haunts "9/11" -- Ch. 4. Mirroring evil : Auschwitz, art and the "war on terror" -- Ch. 5. Little glass house of horrors : taking Damien Hirst seriously -- Ch. 6. Blasted moments : remarking a Hiroshima image -- Ch. 7. Installing a "new cosmopolitics" : Derrida and the writers -- Ch. 8. Working out and playing through : Boaz Arad's Hitler videos -- Ch. 9. Listening with the third ear : echoes from Ground Zero -- Ch. 10. Conditioning Adorno : "after Auschwitz" now. aElectronic reproduction.bPalo Alto, Calif. :cebrary,d2009.nAvailable via World Wide Web.nAccess may be limited to ebrary affiliated libraries. 0aSublime, The, in art. 0aHorror in art. 0aPsychic trauma. 0aArts, Europeany20th century. 0aAesthetics, Moderny20th century. 7aElectronic books.2local2 aebrary, Inc. 0aStudies in European culture and history.40uhttp://site.ebrary.com/lib/rucke/Doc?id=10135405zAn electronic book accessible through the World Wide Web; click to view c85057d85057