<?xml version="1.0" encoding="UTF-8"?>
<mods xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns="http://www.loc.gov/mods/v3" version="3.1" xsi:schemaLocation="http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-1.xsd">
  <titleInfo>
    <title>Make believe in film and fiction</title>
    <subTitle>visual vs. verbal storytelling</subTitle>
  </titleInfo>
  <name type="personal">
    <namePart>Kroeber, Karl</namePart>
    <namePart type="date">1926-2009</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <name type="corporate">
    <namePart>ebrary, Inc</namePart>
  </name>
  <typeOfResource>text</typeOfResource>
  <genre authority="marc">bibliography</genre>
  <genre authority="local">Electronic books.</genre>
  <originInfo>
    <place>
      <placeTerm type="code" authority="marccountry">nyu</placeTerm>
    </place>
    <place>
      <placeTerm type="text">New York</placeTerm>
    </place>
    <publisher>Palgrave Macmillan</publisher>
    <dateIssued>2006</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">electronic</form>
    <form authority="gmd">electronic resource</form>
    <extent>228 p.</extent>
  </physicalDescription>
  <tableOfContents>Brutal Beginnings: Imagining Murder/ Watching Murder -- Moving Eyes, Moving Sculptures -- Inside and outside Somebody Else's Fantasy -- Make Believe Is Always a Story -- Single-Handed and Collective Make Believe -- Movies and Hyper-Visual Culture -- La Strada and the Conjecturing Imagination -- Madame Bovary: Linguistic Configurings of Imaginative Corruption -- Rashomon and Wuthering Heights -- Form in Visual Storytelling: Buster Keaton's The General -- Genre and Transforming Sources: High Noon Forenoon -- Seeing and Imagining Ethical Crises: High Noon: Afternoon -- Great Expectations: Insights from the Impossibility of Adaptation -- Magnifying Criminality: Fargo, Film Noir, and A Perfect World -- Innovative Lawfulness: Learning to Read.</tableOfContents>
  <note type="statement of responsibility">Karl Kroeber.</note>
  <note>Includes bibliographical references (p. [213]-220) and index.</note>
  <note>Electronic reproduction. Palo Alto, Calif. : ebrary, 2011. Available via World Wide Web. Access may be limited to ebrary affiliated libraries.</note>
  <subject authority="lcsh">
    <topic>Motion pictures and literature</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Narration (Rhetoric)</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Film adaptations</topic>
  </subject>
  <classification authority="lcc">PN1995.3 .K76 2006eb</classification>
  <identifier type="isbn" invalid="yes"/>
  <identifier type="isbn" invalid="yes"/>
  <identifier type="isbn" invalid="yes"/>
  <identifier type="lccn" invalid="yes"/>
  <identifier type="uri">http://site.ebrary.com/lib/rucke/Doc?id=10135693</identifier>
  <location>
    <url>http://site.ebrary.com/lib/rucke/Doc?id=10135693</url>
  </location>
  <recordInfo>
    <recordContentSource authority="marcorg">CaPaEBR</recordContentSource>
    <recordCreationDate encoding="marc">051123</recordCreationDate>
    <recordIdentifier source="CaPaEBR">ebr10135693</recordIdentifier>
  </recordInfo>
</mods>
