02017nam a2200337Ia 4500001001200000003000800012006001900020007001500039008004100054010001700095020001500112020002800127020001800155040002100173035002100194050002600215100003100241245011100272260004300383300001100426504006600437505075200503533015201255650003601407650002501443650002201468655002901490710001701519856012601536999001701662ebr10135693CaPaEBRm        u        cr cn|||||||||051123s2006    nyu     sb    001 0 eng d  z  2005056648  z1403983224  z1403972796 (alk. paper)  z9781403972798  aCaPaEBRcCaPaEBR  a(OCoLC)56046981214aPN1995.3b.K76 2006eb1 aKroeber, Karl,d1926-2009.10aMake believe in film and fictionh[electronic resource] :bvisual vs. verbal storytelling /cKarl Kroeber.  aNew York :bPalgrave Macmillan,c2006.  a228 p.  aIncludes bibliographical references (p. [213]-220) and index.0 aBrutal Beginnings: Imagining Murder/ Watching Murder -- Moving Eyes, Moving Sculptures -- Inside and outside Somebody Else's Fantasy -- Make Believe Is Always a Story -- Single-Handed and Collective Make Believe -- Movies and Hyper-Visual Culture -- La Strada and the Conjecturing Imagination -- Madame Bovary: Linguistic Configurings of Imaginative Corruption -- Rashomon and Wuthering Heights -- Form in Visual Storytelling: Buster Keaton's The General -- Genre and Transforming Sources: High Noon Forenoon -- Seeing and Imagining Ethical Crises: High Noon: Afternoon -- Great Expectations: Insights from the Impossibility of Adaptation -- Magnifying Criminality: Fargo, Film Noir, and A Perfect World -- Innovative Lawfulness: Learning to Read.  aElectronic reproduction.bPalo Alto, Calif. :cebrary,d2011.nAvailable via World Wide Web.nAccess may be limited to ebrary affiliated libraries. 0aMotion pictures and literature. 0aNarration (Rhetoric) 0aFilm adaptations. 7aElectronic books.2local2 aebrary, Inc.40uhttp://site.ebrary.com/lib/rucke/Doc?id=10135693zAn electronic book accessible through the World Wide Web; click to view  c87592d87592