02062nam a2200457 a 4500001001200000003000800012006001900020007001500039008004100054010001700095015001900112016001800131020003900149020003600188020003800224020003500262040002100297035002100318050002400339082001500363100002300378245008300401260005600484300003200540504006300572505023100635533015200866600004801018600006301066650002001129650003801149650003801187650005701225650002601282650005801308650004901366655002901415710001701444856012601461999001701587ebr10402695CaPaEBRm        u        cr cn|||||||||090930s2010    cauag   sb    001 0 eng    z  2009040742  aGBB0305132bnb7 z0154941712Uk  z9780520264793 (cloth : alk. paper)  z0520264797 (cloth : alk. paper)  z9780520264809 (pbk. : alk. paper)  z0520264800 (pbk. : alk. paper)  aCaPaEBRcCaPaEBR  a(OCoLC)65585328114aML3854b.A84 2010eb04a781.492221 aAshby, Arved Mark.10aAbsolute music, mechanical reproductionh[electronic resource] /cArved Ashby.  aBerkeley :bUniversity of California Press,cc2010.  axii, 317 p. :bill., music.  aIncludes bibliographical references (p.299-308) and index.0 aThe recorded musical text -- Recording, repetition, and memory in absolute music -- Schnabel's rationalism, Gould's pragmatism -- Digital mythologies --  Beethoven and the iPod Nation -- Photo/phono/porno -- Mahler as imagist.  aElectronic reproduction.bPalo Alto, Calif. :cebrary,d2013.nAvailable via World Wide Web.nAccess may be limited to ebrary affiliated libraries.10aGould, GlennxCriticism and interpretation.10aSchnabel, Artur,d1882-1951xCriticism and interpretation. 0aAbsolute music. 0aSound recordingsxSocial aspects. 0aMusicxPhilosophy and aesthetics. 0aPerformance practice (Music)xHistoryy20th century. 0aMusic and technology. 0aSoundxRecording and reproducingxDigital techniques. 0aMP3 (Audio coding standard)xSocial aspects. 7aElectronic books.2local2 aebrary, Inc.40uhttp://site.ebrary.com/lib/rucke/Doc?id=10402695zAn electronic book accessible through the World Wide Web; click to view  c92668d92668