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  <titleInfo>
    <nonSort>The </nonSort>
    <title>Hallelujah effect</title>
    <subTitle>philosophical reflections on music, performance practice, and technology</subTitle>
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  <name type="personal">
    <namePart>Babich, Babette E.</namePart>
    <namePart type="date">1956-</namePart>
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    <place>
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    <place>
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    <publisher>Ashgate Pub. Ltd.</publisher>
    <dateIssued>2013</dateIssued>
    <issuance>monographic</issuance>
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  <physicalDescription>
    <form authority="marcform">electronic</form>
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    <extent>xv, 307 p. : ill.</extent>
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  <tableOfContents>The Hallelujah effect, Cohen's secret song, and the music industry -- Leonard Cohen's Hallelujah and the other Hallelujahs : from Handel's Hallelujah chorus to the Hallel Psalms -- On male desire and music : misogyny, love, and the beauty of men -- "Covering" Leonard Cohen's Hallelujah : music makes the song from John Cale to kd lang -- "You don't really care for music, do ya?" -- Performance practice and the Hallelujah effect -- Adorno's phenomenology : radio physiognomy and music -- Mousik�e techn�e : on philosophy and the poetic practice of "music" -- The spirit of music in the birth of tragedy : Nietzsche's phenomenological investigations of music and word -- Nietzsche and Beethoven: on the "becoming-human-of-dissonance".</tableOfContents>
  <note type="statement of responsibility">Babette Babich.</note>
  <note>Includes bibliographical references and index.</note>
  <note>Electronic reproduction. Palo Alto, Calif. : ebrary, 2013. Available via World Wide Web. Access may be limited to ebrary affiliated libraries.</note>
  <subject authority="lcsh">
    <name type="personal">
      <namePart>Cohen, Leonard</namePart>
      <namePart type="date">1934-</namePart>
    </name>
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  <classification authority="lcc">ML410.C734 B33 2013eb</classification>
  <classification authority="ddc" edition="23">782.42164</classification>
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    <titleInfo>
      <title>Ashgate popular and folk music series</title>
    </titleInfo>
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