| 000 | 02395nam a22003731i 4500 | ||
|---|---|---|---|
| 001 | ebr10768931 | ||
| 003 | CaPaEBR | ||
| 006 | m o d | ||
| 007 | cr cn||||||||| | ||
| 008 | 130416t20132013txu ob 001 0 eng d | ||
| 020 | _a9780292752917 (e-book) | ||
| 020 | _z9780292752894 (hardback) | ||
| 040 |
_aCaPaEBR _beng _erda _epn _cCaPaEBR |
||
| 035 | _a(OCoLC)899045092 | ||
| 050 | 1 | 4 |
_aPN1998.3.A5255 _bS64 2013eb |
| 082 | 0 | 4 |
_a791.4302/33092 _223 |
| 100 | 1 |
_aSperb, Jason, _d1978- |
|
| 245 | 1 | 0 |
_aBlossoms and blood : _bpostmodern media culture and the films of Paul Thomas Anderson / _cJason Sperb. |
| 264 | 1 |
_aAustin : _bUniversity of Texas Press, _c[2013] |
|
| 264 | 4 | _c�2013 | |
| 300 | _a1 online resource (297 pages) | ||
| 336 |
_atext _2rdacontent |
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| 337 |
_acomputer _2rdamedia |
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| 338 |
_aonline resource _2rdacarrier |
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| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 8 | _aMachine generated contents note: Acknowledgments -- Introduction. White-Noise Media Culture and the Films of Paul Thomas Anderson -- Chapter 1. I Remembered Your Face: Indie Cinema, Neo-noir, and -- Narrative Ambiguity in Hard Eight (1996) -- Chapter 2. I Dreamed I Was in a Hollywood Movie: Stars, Hyperreal Sounds of the 1970s, and Cinephiliac Pastiche in Boogie Nights (1997) -- Chapter 3. If That Was in a Movie, I Wouldn't Believe It: Melodramatic Ambivalence, Hypermasculinity, and the Autobiographical Impulse in Magnolia (1999) -- Chapter 4. The Art-House Adam Sandler Movie: Commodity Culture and the Ethereal Ephemerality of Punch-Drunk Love (2002) -- Chapter 5. I Have a Competition in Me: Political Allegory, Artistic Collaboration, and Narratives of Perfection in There Will Be Blood (2007) -- Afterword. On The Master -- Notes -- Select Bibliography -- Index. | |
| 588 | _aDescription based on online resource; title from PDF title page (ebrary, viewed October 11, 2013). | ||
| 590 | _aElectronic reproduction. Palo Alto, Calif. : ebrary, 2013. Available via World Wide Web. Access may be limited to ebrary affiliated libraries. | ||
| 600 | 1 | 0 |
_aAnderson, Paul Thomas _xCriticism and interpretation. |
| 650 | 0 | _aMotion picture producers and directors. | |
| 655 | 0 | _aElectronic books. | |
| 797 | 2 | _aebrary. | |
| 856 | 4 | 0 |
_uhttp://site.ebrary.com/lib/rucke/Doc?id=10768931 _zAn electronic book accessible through the World Wide Web; click to view |
| 999 |
_c126927 _d126927 |
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