000 02295nam a2200385 a 4500
001 ebr10747514
003 CaPaEBR
006 m o u
007 cr cn|||||||||
008 121221s2013 txua sb 001 0deng d
010 _z 2012044368
020 _z9780292747463 (cl. : alk. paper)
020 _z9780292747470 (e-book)
040 _aCaPaEBR
_cCaPaEBR
035 _a(OCoLC)856934352
043 _an-us---
050 1 4 _aPN2287.W454
_bM445 2013eb
082 0 4 _a791.4302/8092
_223
100 1 _aMeeuf, Russell,
_d1981-
245 1 0 _aJohn Wayne's world
_h[electronic resource] :
_btransnational masculinity in the fifties /
_cby Russell Meeuf.
250 _a1st ed.
260 _aAustin :
_bUniversity of Texas Press,
_c2013.
300 _ax, 213 p. :
_bill.
504 _aIncludes bibliographical references and index.
505 0 _aIntroduction: reexamining John Wayne -- The emergence of "John Wayne": Red River, global masculinity, and Wayne's romantic anxieties -- Exile, community, and wandering: international migration and the spatial dynamics of modernity in John Ford's cavalry trilogy -- John Wayne's cold war: mass tourism and the anticommunist crusade -- John Wayne's body: technicolor and 3-D anxieties in Hondo and the Searchers -- John Wayne's Africa: European colonialism versus U.S. global leadership in Legend of the lost -- John Wayne's Japan: international production, global trade -- And John Wayne's diplomacy in the Barbarian and the Geisha -- Men at work in tight spaces: masculinity, professionalism, and politics in Rio Bravo and the Alamo -- Conclusion: the man who shot Liberty Valance and nostalgia for John Wayne's world.
533 _aElectronic reproduction.
_bPalo Alto, Calif. :
_cebrary,
_d2013.
_nAvailable via World Wide Web.
_nAccess may be limited to ebrary affiliated libraries.
600 1 0 _aWayne, John,
_d1907-1979.
650 0 _aMotion picture industry
_zUnited States
_xHistory
_y20th century.
650 0 _aMasculinity in motion pictures.
650 0 _aMotion pictures and globalization.
650 0 _aNineteen fifties.
655 7 _aElectronic books.
_2local
710 2 _aebrary, Inc.
856 4 0 _uhttp://site.ebrary.com/lib/rucke/Doc?id=10747514
_zAn electronic book accessible through the World Wide Web; click to view
999 _c15133
_d15133