| 000 | 01993nam a2200361 a 4500 | ||
|---|---|---|---|
| 001 | ebr10493596 | ||
| 003 | CaPaEBR | ||
| 006 | m u | ||
| 007 | cr cn||||||||| | ||
| 008 | 100303s2010 nyu sb 001 0 eng d | ||
| 010 | _z 2010007084 | ||
| 020 | _z9780815632412 (alk. paper) | ||
| 020 | _z081563241X (alk. paper) | ||
| 020 | _z9780815651383 (e-book) | ||
| 040 |
_aCaPaEBR _cCaPaEBR |
||
| 035 | _a(OCoLC)759158732 | ||
| 050 | 1 | 4 |
_aPN1992.7 _b.I53 2010eb |
| 082 | 0 | 4 |
_a808/.066791 _222 |
| 245 | 0 | 0 |
_aInside the TV writer's room _h[electronic resource] : _bpractical advice for succeeding in television / _cedited by Lawrence Meyers. |
| 250 | _a1st ed. | ||
| 260 |
_aSyracuse, N.Y. : _bSyracuse University Press, _c2010. |
||
| 300 | _axii, 198 p. | ||
| 490 | 1 | _aTelevision and popular culture | |
| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | _aHow to break in; or, Why it's all so random -- How to be a TV staff writer; or, Why there is no I in team -- How to make your writing personal; or, Why you must take the "me" out of it -- How to be a better writer; or, Why that college degree matters -- How to find your voice; or, Why theme is important -- How to embrace or ignore your past; or, Why you must say yes -- How to start writing; or, Why writer's block is bunk -- How to really write a teleplay; or, Why it's about process, not product -- How to run a show; or, Why you should be careful what you wish for -- Case study : Tim Kring and Heroes. | |
| 533 |
_aElectronic reproduction. _bPalo Alto, Calif. : _cebrary, _d2013. _nAvailable via World Wide Web. _nAccess may be limited to ebrary affiliated libraries. |
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| 650 | 0 | _aTelevision authorship. | |
| 655 | 7 |
_aElectronic books. _2local |
|
| 700 | 1 | _aMeyers, Lawrence. | |
| 710 | 2 | _aebrary, Inc. | |
| 830 | 0 | _aTelevision and popular culture. | |
| 856 | 4 | 0 |
_uhttp://site.ebrary.com/lib/rucke/Doc?id=10493596 _zAn electronic book accessible through the World Wide Web; click to view |
| 999 |
_c229507 _d229507 |
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