000 02318nam a2200433 a 4500
001 ebr10468407
003 CaPaEBR
006 m u
007 cr cn|||||||||
008 100112s2010 ctu sb 001 0 eng d
010 _z 2009052106
020 _z9780819569462 (cloth : alk. paper)
020 _z0819569461 (cloth : alk. paper)
020 _z9780819569479 (pbk. : alk. paper)
020 _z081956947X (pbk. : alk. paper)
020 _z9780819571038 (e-book)
040 _aCaPaEBR
_cCaPaEBR
035 _a(OCoLC)726747529
043 _an-us---
050 1 4 _aPN1992.7
_b.K73 2010eb
082 0 4 _a809.2/25 0925
_222
100 1 _aKraszewski, Jon.
245 1 4 _aThe new entrepreneurs
_h[electronic resource] :
_ban institutional history of television anthology writers /
_cJon Kraszewski.
260 _aMiddletown, Conn. :
_bWesleyan University Press,
_cc2010.
300 _axi, 213 p.
490 1 _aWesleyan film
504 _aIncludes bibliographical references and index.
505 0 _aIntroduction -- Between the television and book publishing industries : anthology writers and their struggle for authorial identities -- Between the television and theater industries : representations of race in Rod Serling's "Noon on doomsday" -- Between the television and motion picture industries : Paddy Chayefsky's "Marty" as art cinema -- New strategies for entrepreneurship : Reginald Rose, The defenders, and the 1960s television industry -- A new zone of production? Rod Serling's attempt to redefine the role of the writer in the 1960s television industry.
533 _aElectronic reproduction.
_bPalo Alto, Calif. :
_cebrary,
_d2013.
_nAvailable via World Wide Web.
_nAccess may be limited to ebrary affiliated libraries.
650 0 _aTelevision authorship
_zUnited States.
650 0 _aTelevision plays, American
_xHistory and criticism.
650 0 _aTelevision
_xProduction and direction
_zUnited States.
650 0 _aTelevision programs
_xEconomic aspects
_zUnited States.
650 0 _aTelevision programs
_xSocial aspects
_zUnited States.
655 7 _aElectronic books.
_2local
710 2 _aebrary, Inc.
830 0 _aWesleyan film.
856 4 0 _uhttp://site.ebrary.com/lib/rucke/Doc?id=10468407
_zAn electronic book accessible through the World Wide Web; click to view
999 _c241508
_d241508